Wednesday, April 30, 2008

functional music, honorable mention of new composer C.W. Boese

just after the previous post a talented composer (Boese) used the small framework for functional music in haskell for one of his compisitions. His work balances harmony and disharmony in an unbalanced way and thereby balances the unbalancing and balancing forces driving the excellent piece of modern algorithmic music. with his silent permission the source as well the interpretation is attached to this post.

Here's the interpretation using an artifical Clarinet: play.

Here's the source:

boeseboese = Rest (2/4) :+: (hochlauf (-2) 3 boese) :=: (hochlauf (2) 3 boese) :+: boese
boese = rpt 3 freak :=: rpt 3 ghoul :=: rpt 3 funk
grund = (Note (Cis,5) 1)
freak = rptm (Trans (round (abs (duration ghoul)))) 3 funk
ghoul = akkord grund 0
funk = Trans terz grund :=: rptm (Trans quinte) 4 ghoul

just append that to the previous program and adapt the main function.

Maybe it's also worth mentioning, that this was the first piece of haskell code written by him.
Haskell syntax helps to create frameworks with very little effort, that reassemble DSLs. In this case parts of the DSL for functional music from the School Of Expression was used to aid composers in creating algorithmic music without the syntactic burdens of a low-level language like (Ihh.. pfui... bahh) "java", that lack many, even basic features, like being NullPointer free, pattern matching, currying, higher order functions, type inference, laziness, ...etc.

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